How are you all doing? Staying scary? John Skeleton’s previous guest post about his hook suspension experience struck a nerve — and I’m glad. I hope you’ll also enjoy his report on Osaka’s best Goth party, Black Veil. Hush, as the story begins… (Pro photos in this post courtesy DJ Taiki.)

It is the fourth of May. Here in Osaka, Japan, the streets are surprisingly quiet, and a line of ebony-clad children of the night wait on a staircase that winds ever downward, deep into cavernous underground where sepulchral sounds ring out. Those dark spirits are surely still abroad this eventide, which marks the 11th anniversary of the longest running Gothic club in Japan: Black Veil.

The event itself dates back to 2001, when a talented DJ and musician named Taiki decided that Osaka needed its own dark sanctuary to celebrate the Gothic and industrial music scene. Of course, this doesn’t mean that there wasn’t a sinister presence in Western Japan prior to the new millennium. Since 1996, Taiki has been the proprietor of a successful occult shop called Territory, where he purveys not only clothing and accessories sporting his own mystical designs, but also imported CDs and a wide range of curiosities. Covering everything from Satanic art and jewelry to Freemason artifacts and relics from the Third Reich, the small shop serves as a veritable museum of the macabre, where a human-sized replica of Éliphas Lévi’s Sabbatic Goat greets those who enter and the hoarse croaks of Taiki’s pet raven, Damien, echo forbiddingly from further within.

His predilection for the occult is not a mere superficial affectation, either. Having studied the Left Hand Path from occult leaders in New York City, Taiki has possibly the most extensive knowledge of Western magical thought of anyone that I know. Before personally meeting Taiki three years ago, I asked a good friend, DJ SiSeN (known as one of the movers and shakers of Tokyo’s underground club scene and a cyber-Goth fashion guru) about the man behind the Veil. His answer was short and simple: “A god.” Having come to know Taiki, I wouldn’t disagree.

My anticipation builds as I make my way down the staircase and recognize the throbbing hard industrial and EBM bass lines of DJ Bonzin’s opening set. Black Veil begins at 21:00, a full three hours before the standard Tokyo event (with the same entry fee), and runs until around 6:00 the following morning. This translates into longer DJ sets and shows, and the first guests often receive CDs that include some of the mixes to be played during the night. Perhaps because BV is held on something more like a quarterly basis rather than monthly, the DJs each put a great deal of effort into making their sets as memorable as possible. One won’t hear single tracks played one after another with unimaginative (or nonexistent) transitions between songs. They are nearly always non-stop musical journeys that weave melodies and beats intricately together into a beautiful symphony of the night. I still remember certain combinations of songs played at these events years after attending them, usually from Taiki’s performances.

And speaking of Taiki, it isn’t long before I come across the man responsible for orchestrating this and other Gothic events in Western Japan. With long jet black hair flowing well past his shoulders, a neatly trimmed goatee and mustache, and his omnipresent fangs, he fits the diabolical image perfectly. Slim and short in stature, despite his soft-spoken nature he nonetheless commands a powerful presence. He greets me warmly and welcomes me to the event, assuring me that it will certainly be an evening to be remembered. As we speak, a live painting is in progress across one entire wall, depicting a massive Baphomet who leers devilishly at club-goers passing by.

The attendees are all unique and interesting, flaunting a wide array of Gothic-inspired styles. Host and hostess Guiggles and his companion Rose de Reficul are bedecked in their typically elaborate Victorian-inspired fashion, looking as if they have just crawled out of a Highgate Cemetery mausoleum. A masked man covered in head to foot with black dances with another gentleman clothed and made up entirely in white. I even spot a decaying zombie and a couple of stray Black Butler cosplayers. I become entranced by the music, and as the midnight hour approaches, an ethereal artist named Yoko performs a dark classical tribal belly dance performance on the floor, creating a serene atmosphere in between the raging onslaughts of aggrotech and dark electro.

The witching hour has passed, and soon the lovely Mistress Midori arrives, her elegant Gothic dress swirling dramatically behind her. As always, she is flanked by the beautiful young ladies under her employ at IDEA, and I am pleased to see my friends Iori, A-ya, and Night among them. The sinister vibrations of selections from units such as Hocico, Grendel, and Aesthetic Perfection fill the club as DJ Syarman plays the last of his set. At last, it is time from Taiki to end the evening in style. The dance floor becomes a rhythmic mass of bodies all moving together in celebration of life and the music that forms a part of their personal identity. Just as there are many ways of dancing to the same beat, I realize that there is indeed a common flame that burns within each of these people despite their incredibly diverse interests and lifestyles. And it is clear that Taiki has tapped into that Black Flame.

As the last note of Covenant’s “One World, One Sky” fades into darkness and each person becomes still, Taiki takes up a large mirrored orb that reflects the entire audience. He says, “All of you are reflected together in this orb, just as we all share this Earth… Japan is in a time of crisis, but we will overcome these hardships together.” His words are a reminder of Japan’s current situation, but also a benediction following a celebration of life to affect change for the future. Through charity bazaar booths and other activities, Taiki and the people of Western Japan are also uniting to do their part to aid the swift recovery of the affected areas. As I step out into the brilliant sunlight of a new dawn, I recall Taiki’s words and look ahead to the future with confidence and hope.

If you’re bloodthirsting for more, come read about my adventure with Yukiro at Black Veil’s 10th anniversary ball. I also posted a video of the Goth party.

You may also find my Osaka Goth Lolita shopping, bars and parties guide of some interest.

Do you enjoy club nights, Goth or otherwise? What draws you to these celebrations? Do you feel a connection to the others in the room, through lifestyle, dress and music, as Mr Skeleton described?

Song of the Day: Covenant – One World, One Sky

Since I’m not in Japan at the moment, I’ve asked my spookiest friends to bring you coverage of Goth and alternative events. Here’s another guest post from Evil Queen Yukiro Dravarious! I hope you enjoy these new voices and perspectives on La Carmina blog. Take it away, girlfriend…

So! I’m back in Japan and I haven’t noticed much difference after the nuclear crisis. It feels super-good to be back and to be going to Goth events again.

Tokyo Dark Castle is one of the first — if not the first — Gothic events I’ve been to in Japan. It takes place every month, at Club Marz in Shinjuku’s Kabukichô. They always have a fabulous mixture of darkwave/EBM/industrial DJ sets and live Goth bands. That night’s agenda was:

[Bands] AUTO-MOD / BAAL / DEMONS / 東狂黒 / P.I.M.P

[DJs] Chihiro / TAIZO / KENZO-A

I was grateful to see so many of my friends crawling out from their crypts to join me in this dark glamourama extravaganza. Plus, I got acquainted with some new faces as well.

It’s always nice to hang outside of TDC; they have renewal allowance so you don’t have to worry about having to stay in the narrow club all night. Outside, you can mingle, take photos and drink cheap conbini (convenience store) drinks. Actually, inside they have pretty cheap drinks at the bar, and a good selection. If you’re lucky, you can get them extra strong, like mine usually are.

Here’s what I wore. I always want to do something original and fashion-forward, and at the same time, I wanted to be sexy and vulgar. So I came up with the idea of combining dark turquoise blue with neon pink for makeup — and why not use it all over? More is never less!

I found the plane-attendant mini-dress the day before and it fit me so well that I had to wear it right away. I needed something for my head so I went around looking for a leather hat or cap. When I didn’t find one for a reasonable price, I decided to glam up an old cap by attaching the backside of a helmet on the front, so it would look like spikes.

The club night is a bit empty and less colorful without Dj SiSEN and Selia (who often preform at TDC) since they now are on the Tokyo Decadance tour in France. The music was good as always, though pretty random that night. Everything from hip-hop, rock, metal, Goth, synth, old school and of course a lot of heavy danceable cybergoth music.

The organizer Genet (right) started a charity collection called “Goth Saves Japan” and even created some pins with the slogan. I think it’s absolutely the right thing to do. Goths can do so much to help Japan recover. It’s awesome that everyone is so helpful in these times of horror!

Want more info about Tokyo Goth parties? Check out my Japan clubbing guide (with maps, directions and more), and posts in the Nightcrawling category.

Have you been to Goth parties around the world? How did the scene compare? Soon, I’ll bring you dark culture coverage from Hong Kong…

Song of the Day: Siouxsie and the Banshees – Hong Kong Garden (an appropriate track, suggested by John Skeleton)