Category Archive for Nightcrawling
MALICE MIZER REUNION! MOI DIX MOIS 2010 CONCERT, MANA KOZI YUKI REUNITED: DEEP SANCTUARY II IN TOKYO.
Last Saturday, Malice Mizer’s three founding members (Mana, Kozi, Yuki) reunited on stage for the first time in almost a decade. The Deep Sanctuary II concert was a profoundly moving experience -– not only for the audience, but for the band members as well. The trio performed Beast of Blood. They hugged. Mana cried. And Yukiro and Count de Sang were right smack in the front row, witnessing it all. Let’s hear their story. (All photos by Yukiro.)
COUNT DE SANG: The brilliance of the July sunlight added a dreamlike quality to the Akasaka Blitz venue. In spite of the bright rays shining down around it, a kind of dark energy seemed to be gathering force as black-clad figures swarmed toward the building where history was about to be made.
YUKIRO: It was great to see so many wonderfully dressed up fans, even though the weather was hot and the wind messed up our hair and make-up. I was wearing a classic Dravarious look, and Count de Sang was of course wearing only Moi-meme-Moitie: we counted and it was about 10-12 items. He bought a Dark Sanctuary II shirt for 4000 yen.
COUNT: My fellow darklings and I found our way to the front row, directly in front of the platform where Mana was to stand in all of his darkly effulgent majesty. But first, Közi was determined to get the party started with one Hell of a performance.
YUKIRO: After we waited almost an hour and a half in the heat, Kozi’s band went on stage. Drummer Cha-ji had extremely sick make-up and his energy was beyond comprehensible. He gave 200% all the time even in the slow songs — and the guitarist played barefoot! Kozi looked fresh and younger, and had a cool hairstyle: a teased, forward-bended brown Mohawk, and he had fashionable black and red garments wrapped around him.
COUNT: While last year’s Deep Sanctuary left me with the distinct feeling that Közi had somehow lost his musical edge, this year I was blown away by the high-energy, nonstop onslaught of pure delight as only he can deliver it. Közi brought the venue to a fever pitch as he mentioned the day’s special guest…Yu~ki!
YUKIRO: Kozi called him “Hakushaku” so we had to scream HAKUSHAKU! They were referring to the vampire movie they did.
COUNT: The next song was announced as the piece that Yu~ki composed for Közi’s album. It was a beautiful performance, filled with power and emotion, and it left everyone breathless as Moi dix Mois prepared to take the stage.
YUKIRO: They switched the background to a Dix-pentagram and we waited, hot and smushed from every direction. When Mana entered, everyone screamed MANA-SAMA and went crazy. Mana was wearing a scandalously short skirt with a black and blue transparent fabric over it so you could see his gorgeous legs. He had, of course, everything in black and blue and a shining blue cross on his stylish black guitar (he switched to one with a red shining cross for the last song). K and Seth and the other two were all in black and red as always, but their clothes were awesome. They’d put a lot more effort in their outfits this year.
COUNT: The tight lineup gave a solid performance that skillfully blended classics, such as “Ange” and “La dix croix,” along with standard Seth-era pieces like “exclude” and “Metaphysical.” The ritual song “dispell bound” and “Immortal Madness” served to bring the entire audience together as one with the band. The set list also included two unreleased songs and one all new piece, which are set to appear on the new album (slated for early October of this year). Whetting the audience’s appetite even more, Seth informed us that “the Count” would not be resurrected unless we called for him loudly enough. And so, with shouts of “hakushaku!!” the long-missing bassist of the legendary Malice Mizer was called forth from the darkness.
YUKIRO: Of course they did the DIX ritual with the audience, and Mana gave a lot of energy, headbanging and spinning like crazy. It was wonderful to observe from up close.
COUNT: As the curtain closed on Moi dix Mois’ final song, the anticipation was nearly tangible as the entire audience stood with bated breath. The stillness was broken with only a few tones, soon followed by countless shouts of delight as the haunting melody of “Saikai no chi to bara” reached our ears. The curtains opened, and I saw a sight that I had never expected to see in my lifetime…Mana, Közi, and Yu~ki, on stage together for the first time in nearly ten years.
YUKIRO: Yuki to the right, Mana on the left and Kozi in the middle, each one with a red rose in his hand. Yuki wore a hat and his nostalgic Malice Mizer make-up. This sight was too much for me: the audience and I screamed my lungs out. When Kozi started to speak, we screamed so much that he wasn’t able to. It was so supreme and divine, it was like GOD himself had appeared in front of you and you just never wanted it to end. Pure ecstasy. There are no words to describe the feelings I had. It was too much; I could die happy now.
Mana started to cry and that was too much for me and I burst into tears again. But they suddenly got a hold of themselves and started to play a normal rock song, a bit Motley Crue-ish. Kozi’s singing is really amazing. They don’t need Gackt or Klaha; they could work as the three legends.
COUNT: The friendship and camaraderie between the three simply radiated from the stage. I was dumbstruck, and could only be carried along by the force and emotion of the music.
YUKIRO: After that song the most amazing thing in my life (so far) happened. They announced they were to play “Beast of Blood.” The audience held their breath for a nanosecond to comprehend what Kozi just had told us – and then we screamed more than we ever did! It was amazing; everything I’ve ever wanted it to be. Kozi could sing it as well as Klaha, and they had an air fog cannon bomb in the last chorus. The audience screamed “Malice Mizer” which felt magical. All we had been longing for, for the last 8-9 years, was right in front of us.
YUKIRO: When they were supposed to go off stage, everyone screamed and screamed so they changed their minds and went back and did a GROUP hug. Mana jumped on Yuki and Kozi; it was heavenly to see. We all started to scream “encore” and they went out one more time, but Kozi sad that they didn’t had any more songs to do — so they just thanked us and did one more group hug — and you can see that they were really feeling it themselves. I was speechless and in a shock, and about to faint, emotion overflowing. I couldn’t have dreamt of a live this good.
COUNT: The curtain closed on what was certainly an all-too-short reunion, but as the three gentlemen of Malice Mizer left the stage with their arms around each other, I think everyone present sensed a certain amount of hope for the future. According to Mana and Közi, malice and misery are the very essence of this life itself, and as long as we live on, the darkly beautiful spark of Gothic romance that Malice Mizer inspired in all of us will never die.
Thank you to both of you for the heartfelt reports! Did you get chills up your spine as you read about the powerful moments? What do you portend for the future of Malice Mizer?
Japanese Word of the Day: Eda = Branch (of a tree)
Song of the Day: Malice Mizer – Bara ni Irodorareta – Saikai no Chi to Bara (“Because here they stand like they did yesterday at the concert.”)
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CUTE GOOGLY-EYES NAIL ART. YUKIRO'S DEBUT PERFORMANCE AT TOKYO GOTH CLUB, MIDNIGHT MESS! SEILEEN, DJ SELIA & SISEN BAND.
Who loves kawaii Japanese nail art? I gave myself a cute manicure, inspired by these Giles Deacon nail art photos. I think the googly-eyed faces look a bit like Moomin, the Swedish hippo-like character. Using Daiso nail art polish, I painted white ovals and a black dot on top to create the eyes. Don’t forget to let the layers fully dry and apply a sealing top coat.
Blasting, flowing news: Yukiro Dravarious will be making a scandalous musical debut at Midnight Mess (Tokyo’s longest running Goth/Industrial club party) on July 31!
Tell me all about your project: how would you describe the concept and experience?
I would describe Dravarious as an art form that lets the audience get a taste of variation in music, visuals and of course elegance. Classical goth, Extravagant, Fashion-forward, Visual Kei, opera, tragedy, misfortune and scandalousness! I’ve always been a big Visual Kei fan so naturally I wanted to do something similar but with my own touch to it. The music I’m going to play is mostly covers, but also 1-2 original songs. Of course I’ve re-done the covers to make them more fascinating. I’m thrilled about finally entering the stage with my own project and it feels absolutely Freaking Fabulous.
Not everyone knows you write and perform music. How did you get started?
In my teen-days I had a dream of becoming a singer. I went to different auditions around the country but I was immature and didnt know how to sing. So I started to take lessons and even went to a musical school, then started making my own music. Lyrics and poems have I also written for a long time. But since I moved to Japan I put the songs on a shelf and focused on my model career, which seemed more appealing at that time. This year I started to take vocal training again and I’ve been so much happier since. I can’t really play any instrument (except piano) so I make it all by computer, with help from my dear friend Sebastien who’s been supporting me all the way.
Tell me about how you worked with Sebastian.
I told him what kind of feeling and atmosphere I wanted with the songs, and together we tried 10000 of different sounds until I was satisfied haha. He is very good to work with. Whenever we had technical issues he did quick research and fixed them smoothly.
Like Lady Gaga, fashion must be an important part of your performance. How do you integrate style into your performance? What can the audience expect?
Fashion is very important to keep the audience interested in watching you. You can’t just wear some old T-shirt or whatever. I think that its almost an insult to the audience who paid for their tickets to not dress up; if they wanted to just hear the music they’d might as well listen to it on their computer. A live show is really important if you wanna be successful. Lady Gaga knows this and that’s why she always puts 100% energy and effort into it. I can’t deny that I’m taking inspiration from her. I’ve designed some of the outfits I’m gonna wear for the show myself, and the result is stunning.
The promotional photos are stunning. SO Visual Kei, with the blue-black roses and disappearing nose. Who is the photographer, and what was it like working with her?
Thank you, I think they really captured the essence of DRAVARIOUS. They were taken in the notorious “Studio-Violet” in Shinjuku (same place were most Host/VK-boys take their promo photos for magazines) by the legendary host photographer Alice. She’s extremely talented and the photo-session went by ghastly fast. She’s a friend of mine and also designs the Tokyo Decadance flyers, so I’m so glad she had time to shoot us before the live.
The lady in the photo, Maria – what is her role in the performance?
She’s my dancer and partner in crime. She’s an official member of the band and hopefully I’ll get one more dancer for the show. I did her make-up for the photoshoot and it suits her supremely.
What are your next goals? How would you like to take this project further?
If the live goes as well as I want, I’ll try to get more gigs and we are in negotiation with a film-team to shoot our first music video. Also Sebastien said that he would help me with the music again, so I can start doing more original songs. My true goal is of course world domination. Mohahahhaaa!
I can also reveal that I’m scheming to perform a vulgar act never done before on stage. And it will be a one-time-only act because I don’t think I’ll ever do it again. It will be a great show and people will not be disappointed if they come.
So come to Mistress Maya’s Midnight Mess at Shinjuku Club Marz on July 31, and see Yukiro in all his glory! Seileen (DJ SiSEN and Selia’s group) is celebrating their album release, and Roge from Bar Tram will be doling out Skull Absinthe at a special booth. For prices, directions, a map and more, check out my Tokyo Goth club guide.
Will you be there, in person or in spirit? If you have questions for Yukiro about his music and concept, please feel free to leave a comment!
Japanese Word of the Day: Kimon = Demon gate
Song of the Day: Seileen – Yokubaku