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Fabulous Las Vegas sign! Escape It: Jason Egan horror escape room review, Cemetery Pulp oddities Goth shop, Transfix art.

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Welcome to the Fabulous Las Vegas, Nevada! Couldn’t resist mugging for a photo at the classic sign, which was erected in 1959.

Photographer Joey Wong and I were here to report on how Sin City has become a wonderland of interactive and immersive art…

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… which includes experiences like Escape It, a next-level escape room that makes you feel as if you’re a character in the clown horror movie and novel!

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I wrote about Vegas’ grandiose multisensory art attractions for the new issue of TravelAge West magazine, out now in print and online here with photos by Joey Wong. Read on for a more in-depth, personal look at our interactive adventures in Sin City.

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Jason Egan’s Las Vegas escape rooms have been elevating the genre by dropping you into fully immersive worlds of horror. His latest big-budget production, Escape It, is possibly the world’s largest with 16 rooms spread over 31,000 square feet. (The gigantic space also exhibits props from the Warner Bros hit movie, including Pennywise’s costume!)

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The exit game is based on It, the diabolical horror novel by Stephen King and its 2017 film adaptation. As a fan, I was impressed by the level of care and detail that went into the design starting from the moment you arrive. Escape It takes place in what looks like a plaza in the town of Derry (where the clown ran rampage), complete with the movie theater, Paul Bunyan sign, and Public Works building.

Outfit deets: Dress is by Sourpuss Clothing, backpack by Cyberdog, platform Goth sandals Anthony Wang, sunglasses DMY by DMY Billy.

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Even the check-in process is immersive: we felt as if we were sewer-search volunteers getting oriented, and the staff never broke the fourth wall. They even claimed to not see a red balloon behind the counter, much like the experience of the children in It (only they could see the blood and horrors).

(The venue displayed official memorabilia from the WB movie, including the paper boat that little Georgie floated to the sewers, leading to his death.)

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As I write in my new TravelAge West magazine piece: “Jason Egan started his career in his teens as a Nebraska haunted house creator. When he moved to Las Vegas, he combined his flair for the macabre with the escape room format.” 

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“His team built detailed, multi-sensory sets based on Stephen King’s It, including foggy sewers and a soil path that winds through foliage to a decrepit house.”

(He kindly let us take some photos inside as media — as you can see, the Neibolt house design and lighting are chilling.)

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Beware of the clowns, as you solve puzzles that unlock new clues and doors! Joey and I are escape room veterans, and we were dazzled by the creativity of the puzzle designs. Escape It pulls out all the stops when it comes to cinematic effects, and uses terrific actors to guide or scare you throughout.

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Players will get goosebumps from the innovative frights: a slaughterhouse gives off a meaty scent, and a panel bursts open to reveal the killer clown Pennywise!

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If you survive to the end, you can continue the journey with Jason Egan’s other Las Vegas horror escape rooms themed after The Blair Witch Project, Saw, and It Chapter Two.

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After surviving the clown attacks, we played arcade games and posed with movie memorabilia — including these original doors marked Not Scary At All, Scary, Very Scary! You can also pick up merch like a kawaii Pennywise plush.

Escape It was a frightful delight, and I mean it when I say it’s the the best escape room / horror experience I’ve had to date. I can’t wait to come back to Vegas to descend into Jason Egan’s other worlds of horror (make sure you reserve tickets in advance, as spots sell out fast).

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Sin City has plenty of other attractions for those with a Gothic disposition. We stopped by Cemetery Pulp, an oddities store that brings “all that is weird, nerdy and off the wall to the people of Las Vegas.”

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We were greeted warmly by the owner, who is always delighted to tell the stories behind the vast collections of dark / Goth homewares, craft items, books, and other spooky ‘tings.

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Cemetery Pulp is a Goth’s dream shop (or nightmare?). There’s even a Dracula coffin for photo ops!

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You’ll find many devilish handcrafted treasures, like this wood inverted cross coffin container.

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How about a passport to Satanistan? It features the goat head in a pentagram logo (you can read about the origins of the symbol in my new The Little Book of Satanism!)

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Las Vegas has become home to leading alternative conventions like the Body Art Expo for tattoos, extreme body mods, and suspension. The city also hosts leading music festivals like Sick New World (nu metal, alt-rock) and Cruel World (classic Goth, New Wave and punk).

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Vegas’ kitschy-weird vibe makes it a fab destination for travelers like me.

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Cemetery Pulp has shelves of animal taxidermy, skulls, and wet specimens in jars. That’s a pig stump with a tattoo on it!

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This oddity shop truly puts the cult in culture. Shop til you drop at Cemetery Pulp, and say hi to the team for me.

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After dark, you can experience yet another massive, fully immersive attraction — Transfix at Resorts World. The touring exhibition lights up the city with 50 gargantuan “participatory works” spread over 200,000 square feet. 

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You’re encouraged to engage with large-scale kinetic, sound, and light installations that respond to your body — like these helixes that glow as you move.

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Many of the installations have an alien meets Burning Man vibe, and hit all the senses (this dragon-bus emitted neon lights and thumping EDM music). 

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Great balls of fire! At Transfix, many of the works morph as you play with them, like a digital wall that creates unique patterns based on your dancing.

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Love how everything is bigger in Las Vegas.

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Transfix is a dazzling playground of immersive art — check it out at Resorts World hotel.

The Lock Las Vegas Hidden Bar Speakeasy

Finally, let’s have a nightcap at an immersive bar: The Cabinet of Curiosities. Located at Horseshoe Vegas, it feels like a Victorian adventurer’s lair with hundreds of bizarre curios from around the world.

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Try a mezcal and chartreuse craft cocktail at The Cabinet, and then see if you can unlock the entrance to a second hidden speakeasy called The Lock. (You might have to crack the code to a safe, and do some crawling!)

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Did you know that you could find Gothic / horror / interactive experiences like these in Las Vegas?

For more tips, see my travel writing for TravelAge West online here and in the print magazine. And thank you for reading my newest book with Simon & Schuster, The Little Book of Satanism!

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Department H Tokyo: Drag queens fetish nightlife! Keroppy Maeda Jomon ancient tattoos & body modifications exhibit.

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No-Face rides again! When I was last in Japan, I only had 15 minute to get ready for Department H (Tokyo’s seminal alt/drag/fetish party) — so I did quick look inspired by the mysterious spirit in the Ghibli film, Spirited Away.

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Spirited Away is probably my favorite Hayao Miyazaki anime, and this scene of Chihiro and No Face riding the train is unforgettable. They pass through water and the mystical Japanese countryside… you’ll have to see the film yourself to understand the magic.

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The outfit was fitting, as Tokyo’s Department H club night feels like being in a fantasy movie. Let me show you around the all-night party that features drag queen shows and eccentric outfits. Get ready for tons of photos by Joey Wong…

Ryoichi Keroppy Maeda journalist photographer taku oshima

… and I’ll also give you a tour of Keroppy Maeda and Taku Oshima’s Jomon tattoo / photography exhibit, which took place at Shinjuku Beams.

(By the way, I’m now on the Threads app. Who knows what will come of it, but you can add me @lacarmina on Threads as well as Instagram.)

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If you’re a longtime reader, you’ll know that my friends and I have long been attending Department H. The fetish night takes place on the first Saturday of every month, and has been running since the 1980s!

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Dept H is held in a somewhat random venue: Tokyo Kinema Club (東京キネマ倶楽部) in Uguisudani (鶯谷). Vincent joined me outside — our purple/blue hair had matching vibes.

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It’s a Department H tradition to get canned alcohol at the Family Mart convenience store next door. There are no bars or food/drink available inside, so you’re encouraged to BYOB.

I got a yuzu Strong Zero for old time’s sake (I do not have the strength for these any more!)

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At Department H, you can be who you want to be without judgment. (Please make sure you ask guests if they’re ok with being photographed, before taking any pictures.)

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This is the place to wear hentai, fetish and latex gear. Lockers are available if you want to come in wearing normcore clothes, and then change into your finery.

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Anyone is welcome here, and the partiers are extremely friendly (don’t let the spookier looks fool you!) Department H draws a mixed crowd — LGBTQ, fetish, alt fashion, you name it.

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The event features a glitzy drag queen parade, followed by all sorts of performances from dance to aerial silks…

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… and racy wrestling with peen-monsters! Remember the time Naomi and I shot a German TV show with Mr Peen, at Department H? 

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This Japanese purple drag queen was giving Yukiro energy.

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Can’t beat the creative costumes and makeup at Japanese club nights like Department H.

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Photojournalist Ryoichi Keroppy Maeda always has a booth at Department H, where he shares his passion for extreme body modifications. He signed a copy of his Modcon book that chronicles these body mods and the people behind them.

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You may remember Keroppy Maeda from our Japan bagel head adventures — there’s a photo of Dr John inside, from our National Geographic TV shoot where he got a bagelhead!

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At the time, Keroppy had a Jomon Tribe exhibit at Beams Shinjuku, which showcases his photography and collaborations with tattoo artist Taku Oshima.

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Keroppy and Taku have researched and revived the tattoos worn by the indigenous hunter-gatherers that lived in Japan thousands of years ago.

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Archeological evidence shows the Jomon people adorned their bodies with geometric lines and swirls, which Taku has adapted into modern tattoo designs.

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At the exhibit, you could see their Jomon body art and photos in large-scale, and shop Keroppy’s books and DVDs. (He did the Japanese subtitles for “A Hole in the Head,” a documentary about trepannation or drilling a hole in one’s skull.)

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Fascinating to learn how Japan’s earliest inhabitants engaged in bold tattooing, and how Keroppy and Taku have revived it using today’s techniques (in a country where tattoos remain taboo).

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Taku Oshima shows tools like the ones used in Jomon body modifications, thousands of years ago. They’ve uncovered evidence of dental mods and piercings made by the ancient Jomon tribes as well.

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Research suggests that the Jomon may have had facial markings, much like the ones he wears. Tattooing has long been practiced among the indigenous people of Hokkaido and Okinawa, until it was banned in the Meiji Period.

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Researchers are still uncovering artifacts about Jomon culture and practices, which bring new insight into the history of tattooing in prehistoric times.

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These tribal influenced tattoos are stunning, and a departure from the full-body yakuza style that most people equate with Japanese body art.

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Can’t wait to see what Keroppy and Taku do next with their modern primitive tattoo endeavors! Here’s their artistic statement in Japanese and English:

縄文族』とは、タトゥーアーティストの大島托とフォトグラファーのケロッピー前田によるアートプロジェクトである。このプロジェクトは縄文の文様を抽出し現代的なタトゥーデザインとして身体に刻むことで、人類の原始的な精神が21世紀を生き抜くためのアイデンティティとなり得ることを示している。これは日本における「モダン・プリミティブズ(現代の原始人)」 の実践である。

“JOMON TRIBE” is a collaborative art project between tattoo artist Taku Oshima and photographer Ryoichi Keroppy Maeda, in which the patterns of Japan’s Jomon period (14,000 – 300 BCE) are inscribed upon real human bodies as modern tattoo designs to show how the primitive spirit of humankind will become a new identity to survive the postmodern life of the 21st century. This project is the practice of “modern primitives” in Japan today.

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And on that note… back to the fabulous personal expressions at Department H nightclub.

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Kinema Club takes up two floors: you can walk around to admire the outfits, visit various vendor booths, and clap along to the performances such as the drag queen strut-fest.

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Of course, we found Miffy among the latex fetish bunnies…

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Would you give your confession to this priest?

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Such talented alt performers, like this aerial silks artist wearing horns.

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At Department H, you can observe or take part in shibari / kinbaku (Japanese rope bondage).

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Always some kawaii and cosplay inspired looks in the mix at Japanese events.

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The party spills over outside to the convenience store next door, where guests went for snacks and drinks.

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Admission to Department H is 5000 yen, but 10% off with an event flyer and 40% off with a costume — so put on your best pentagram, and party here until dawn (as the trains stop running between about midnight at 5am).

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Department H remains one of Tokyo’s best alt night clubs — may it remain this way for decades to come. Thanks to organizer Gogh-san for always welcoming me.

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If you’re keen to travel to Japan, I have some new resources for you. I wrote four travel guides to Tokyo for Going.com (formerly Scott’s Cheap Flights), geared towards new travelers!

My articles are about Tokyo itinerary suggestions (for 3-7 days), the best day trips from Tokyo, 15 best things to do in the capitol, and where to stay from high-end to budget and family options. Let me know if you find them helpful, and feel free to share them.

And add me @lacarmina on Threads — I’ve been around since MySpace so who knows if Threads will last, but I’ll give it a go.

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