OSAKA VISUAL KEI BARS, LIVE CONCERTS & MUSIC STORES. BAR ROCK ROCK, CUTE JROCK HEAVY METAL BOYS AT BAR MOONWALK.
How about a run-down of Osaka’s best Visual Kei joints? There’s a large Jrock / VK music store in Shinsaibashi’s Big Step building (it’s the Visual dot on my Osaka shopping map). At the entrance, you can pick up free flyers plastered with the faces of your favorite Visual rockers.
Last May, Deluhi and Mix Speaker’s Inc were well-ranked in the Top Ten. Their Tokyo concert proved that they could deliver live as well (you can read my full show review here).
The Vambie demonstrate two cute new Asian poses.
Kansai is also home to several head-banging bars that blast Visual Kei music. In my new CNNGo article, I write: “When bands tour Osaka, they frequently stop by Territory, DJ Taiki’s occult shop in Shinsaibashi. Then they might walk around the corner to Moonwalk, a bar that pumps Marilyn Manson and Japanese glam metal to a young, heavily pierced crowd.”
Yukiro and I randomly found Bar Moonwalk after we left DJ Taiki’s haunt. We saw a sign that said “All drinks 200 yen” — and then glimpsed the eyeliner-smeared bartender above (named Kouta) — and that sealed the deal. Kouta is the bassist in a new Visual Kei act, which also has a Swedish member. Even though the band hasn’t even started rehearsing, he’s got the look down. And just like Fu-ki, he brought over free drinks… three shots, for all of us!
Osaka’s most famous hard rock / heavy metal hangout is Bar Rock Rock; Alice Cooper and Motley Crue are among the celeb customers. And don’t forget Midian, run by the ex-member of BLOOD: “Like a Goth Elvis, vocalist Fu-ki is alive and ominously wielding an ice pick behind the counter of his Bar Midian.” (You can see photos and in-depth directions to Fu-ki’s bar here).
Come read the rest of my CNNGo article about Osaka’s rock bars here. Please rate and “Like” it so that CNN will publish more articles about Visual Kei and boy-on-boy antics.
Wahh, my Scottish Fold’s fancy outdoor playpen featured on the Catio Showcase blog! “This isn’t the kind of catio for rambunctious cats, but Basil Farrow is quite well-mannered (no jumping or escaping), plus he is always supervised on his catio, I’m assuming by his bodyguards.” That’s about right…
Have you been to any of Osaka’s Visual Kei bars or record stores? Which bands would YOU rank in your top ten? Thanks for supporting my CNNGo article with a Like.
Japanese Word of the Day: Goumon = Torture
Song of the Day: Malice Mizer – Beast of Blood
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MALICE MIZER REUNION! MOI DIX MOIS 2010 CONCERT, MANA KOZI YUKI REUNITED: DEEP SANCTUARY II IN TOKYO.
Last Saturday, Malice Mizer’s three founding members (Mana, Kozi, Yuki) reunited on stage for the first time in almost a decade. The Deep Sanctuary II concert was a profoundly moving experience -– not only for the audience, but for the band members as well. The trio performed Beast of Blood. They hugged. Mana cried. And Yukiro and Count de Sang were right smack in the front row, witnessing it all. Let’s hear their story. (All photos by Yukiro.)
COUNT DE SANG: The brilliance of the July sunlight added a dreamlike quality to the Akasaka Blitz venue. In spite of the bright rays shining down around it, a kind of dark energy seemed to be gathering force as black-clad figures swarmed toward the building where history was about to be made.
YUKIRO: It was great to see so many wonderfully dressed up fans, even though the weather was hot and the wind messed up our hair and make-up. I was wearing a classic Dravarious look, and Count de Sang was of course wearing only Moi-meme-Moitie: we counted and it was about 10-12 items. He bought a Dark Sanctuary II shirt for 4000 yen.
COUNT: My fellow darklings and I found our way to the front row, directly in front of the platform where Mana was to stand in all of his darkly effulgent majesty. But first, Közi was determined to get the party started with one Hell of a performance.
YUKIRO: After we waited almost an hour and a half in the heat, Kozi’s band went on stage. Drummer Cha-ji had extremely sick make-up and his energy was beyond comprehensible. He gave 200% all the time even in the slow songs — and the guitarist played barefoot! Kozi looked fresh and younger, and had a cool hairstyle: a teased, forward-bended brown Mohawk, and he had fashionable black and red garments wrapped around him.
COUNT: While last year’s Deep Sanctuary left me with the distinct feeling that Közi had somehow lost his musical edge, this year I was blown away by the high-energy, nonstop onslaught of pure delight as only he can deliver it. Közi brought the venue to a fever pitch as he mentioned the day’s special guest…Yu~ki!
YUKIRO: Kozi called him “Hakushaku” so we had to scream HAKUSHAKU! They were referring to the vampire movie they did.
COUNT: The next song was announced as the piece that Yu~ki composed for Közi’s album. It was a beautiful performance, filled with power and emotion, and it left everyone breathless as Moi dix Mois prepared to take the stage.
YUKIRO: They switched the background to a Dix-pentagram and we waited, hot and smushed from every direction. When Mana entered, everyone screamed MANA-SAMA and went crazy. Mana was wearing a scandalously short skirt with a black and blue transparent fabric over it so you could see his gorgeous legs. He had, of course, everything in black and blue and a shining blue cross on his stylish black guitar (he switched to one with a red shining cross for the last song). K and Seth and the other two were all in black and red as always, but their clothes were awesome. They’d put a lot more effort in their outfits this year.
COUNT: The tight lineup gave a solid performance that skillfully blended classics, such as “Ange” and “La dix croix,” along with standard Seth-era pieces like “exclude” and “Metaphysical.” The ritual song “dispell bound” and “Immortal Madness” served to bring the entire audience together as one with the band. The set list also included two unreleased songs and one all new piece, which are set to appear on the new album (slated for early October of this year). Whetting the audience’s appetite even more, Seth informed us that “the Count” would not be resurrected unless we called for him loudly enough. And so, with shouts of “hakushaku!!” the long-missing bassist of the legendary Malice Mizer was called forth from the darkness.
YUKIRO: Of course they did the DIX ritual with the audience, and Mana gave a lot of energy, headbanging and spinning like crazy. It was wonderful to observe from up close.
COUNT: As the curtain closed on Moi dix Mois’ final song, the anticipation was nearly tangible as the entire audience stood with bated breath. The stillness was broken with only a few tones, soon followed by countless shouts of delight as the haunting melody of “Saikai no chi to bara” reached our ears. The curtains opened, and I saw a sight that I had never expected to see in my lifetime…Mana, Közi, and Yu~ki, on stage together for the first time in nearly ten years.
YUKIRO: Yuki to the right, Mana on the left and Kozi in the middle, each one with a red rose in his hand. Yuki wore a hat and his nostalgic Malice Mizer make-up. This sight was too much for me: the audience and I screamed my lungs out. When Kozi started to speak, we screamed so much that he wasn’t able to. It was so supreme and divine, it was like GOD himself had appeared in front of you and you just never wanted it to end. Pure ecstasy. There are no words to describe the feelings I had. It was too much; I could die happy now.
Mana started to cry and that was too much for me and I burst into tears again. But they suddenly got a hold of themselves and started to play a normal rock song, a bit Motley Crue-ish. Kozi’s singing is really amazing. They don’t need Gackt or Klaha; they could work as the three legends.
COUNT: The friendship and camaraderie between the three simply radiated from the stage. I was dumbstruck, and could only be carried along by the force and emotion of the music.
YUKIRO: After that song the most amazing thing in my life (so far) happened. They announced they were to play “Beast of Blood.” The audience held their breath for a nanosecond to comprehend what Kozi just had told us – and then we screamed more than we ever did! It was amazing; everything I’ve ever wanted it to be. Kozi could sing it as well as Klaha, and they had an air fog cannon bomb in the last chorus. The audience screamed “Malice Mizer” which felt magical. All we had been longing for, for the last 8-9 years, was right in front of us.
YUKIRO: When they were supposed to go off stage, everyone screamed and screamed so they changed their minds and went back and did a GROUP hug. Mana jumped on Yuki and Kozi; it was heavenly to see. We all started to scream “encore” and they went out one more time, but Kozi sad that they didn’t had any more songs to do — so they just thanked us and did one more group hug — and you can see that they were really feeling it themselves. I was speechless and in a shock, and about to faint, emotion overflowing. I couldn’t have dreamt of a live this good.
COUNT: The curtain closed on what was certainly an all-too-short reunion, but as the three gentlemen of Malice Mizer left the stage with their arms around each other, I think everyone present sensed a certain amount of hope for the future. According to Mana and Közi, malice and misery are the very essence of this life itself, and as long as we live on, the darkly beautiful spark of Gothic romance that Malice Mizer inspired in all of us will never die.
Thank you to both of you for the heartfelt reports! Did you get chills up your spine as you read about the powerful moments? What do you portend for the future of Malice Mizer?
Japanese Word of the Day: Eda = Branch (of a tree)
Song of the Day: Malice Mizer – Bara ni Irodorareta – Saikai no Chi to Bara (“Because here they stand like they did yesterday at the concert.”)
LA CARMINA
