Category Archive for Visual Kei + Music
VERSAILLES ANNOUNCES BASS PLAYER REPLACING JASMINE YOU, NEW VISUAL KEI SINGLE. LONDON EBM NEW BEAT CLUB, ENDURANCE.
Blasting, flowing news! Versailles Philharmonic Quintet made two huge announcements at the tour finale on Saturday (at Tokyo’s C.C.Lemon Hall). Yukiro was at the Visual Kei concert, and reports…
† “Versailles announced that they have officially replaced Jasmine You with a new bassist! It will be the same guy (Masashi) they have been using on tour since Jasmine passed away. Black hair, black boring clothes: the new bass player is not even comparable to Jasmine.”
† “After, they played a new single that will be released in October. It was called “Destiny (…)” (something), a kind of X-Japan ballad with Hizaki guitars to it.”
Yukiro also witnessed the band’s glorious new stage costumes. “In the end, they came out in new, adjusted outfits. I’d never seen Hizaki look this good; he had a new red princess-ish dress with loads of red roses. Kamijo looked like a drag queen — he had the most sparkling cape I’ve ever seen; it was very delightful. And Teru had a nice cape sewed into his show-stomach.”
I am itching to visit London again, and hopefully will in the near future. (Camden Market’s Goth stores are whispering my name…) Cotton Bale was in London over the summer, and reports on a boss New Beat / Electronic Body Music / Aggrepo club night called Endurance. (All black/white photos by Mega Mega Mega.)
She writes: I remember trawling through London’s post-punk clubs in the early 2000s with DJ and musician Chris Flatline. He was a tough customer, and his complaints were two-fold. First, no matter what was on the flyer, the DJs always played the same Franz Ferdinand record. Second, people just stood around posing, and no one seemed to be having very much fun. Flatline thought that he could do better, and so he decided to start running his own clubs.
Flatline’s first foray into the world of party promotion was Tesco Disco: an art, fashion and music event. He ran it alongside Emily Strange (model, Stuckist artist and synth-pop group Client’s former bassist), and Kitten (of London glam rock nights Glam-ou-rama and Club Bohemia). He later went on, with one of the founding members of Tesco Disco, to start Future Brain, which became one of Shoreditch’s most popular Italo Disco nights.
Flatline’s current club is Endurance, a New Beat, EBM and Industrial night at a slightly seedy underground club in Dalston, which I recently attended. Flatline has achieved his goal: not only do they play the music that is on the flier, but it is great fun and everyone dances. Although guest DJ Matthew Stone of Boombox fame drew a fashionable crowd, I still thought the house DJs were better. Unaesthetic played mostly early industrial music. LVR played an impeccably mixed and superbly danceable set of EBM, while Flatline played his own brand of cheesy New Beat.
Endurance is held every second Saturday at the Alibi, 91 Kingsland High Street, London, E8 from 9pm. Entrance is free. For more info, check out the website.
Where are your favorite places in London to nightcrawl? What do you think about Versailles’ decision to have a permanent replacement bassist?
(Don’t forget to read my previous coverage of Versailles concerts, including videos. All of them are found here.)
Japanese Word of the Day: Uwasabanashi = Rumors
Song of the Day: A Split Second – Bend My Body Armour (The type of music you’ll hear at Club Endurance.)
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CAN CAN SEATTLE: ABSINTHE BAR & BURLESQUE CABARET. BEST ALTERNATIVE GAY LGBT NIGHTLIFE, MODERN DANCE DRAG.
The Can Can kicks butt. Although we didn’t have the best experience with Seattle Goth clubs, Rose and I found a welcoming home on Saturday night — bursting with absinthe, burlesque, and a friendly LGBT/alternative crowd. Can Can Cabaret, we rate you a 10 out of 10!
Everyone who reads this blog knows I’m sort of obsessed with absinthe. (Type in “absinthe” in the search box on the right sidebar, and you’ll see.) We went to The Can Can two nights in a row to taste local varieties of the green fairy. Pacifique (made in Washington State) is creamy delicious, as was the last remaining bottle of Marteau (a superb label from Oregon). The bartender, Zach, impressed us with his class and skill.
The red walls and gold frames suited us very well.
We couldn’t stop smiling and cheering when The Castaways took over the stage. Their flirty, fun act defies categorization: there’s burlesque, circus acrobatics, humor, modern dance. For one song, choreographer Rainbow Fletcher stripped and bounced on this giant rocket. We loved the Siegfried and Roy parody, where a harmonic dance ends in a white tiger mauling.
The Castaways held my attention the entire time. Each act was creatively executed, with fierce costumes and a kicking soundtrack that included 1980s, electro, Dresden Dolls and Rasputina.
The Can Can Castaways bring in a breath of fresh air to stale burlesque. Watch out for this act.
Owner Chris Snell is a hyper, pink-wigged mastermind: aka the perfect host. The Can Can is truly a gem, from the open and friendly atmosphere to the absinthe and performances. We can’t wait to return!
Are you fond of burlesque? What are some of your favorite cabarets, troupes and performers?
PS: My Scottish Fold cat Basil Farrow was nominated for the 2010 meowing championship! Please VOTE for him — we must prevail! (All it takes is leaving a comment on this site; you can connect via Facebook.)
Japanese Word of the Day: Kosaji = Teaspoon
Song of the Day: Erasure – Always (The soundtrack to the Siegfried and Roy white tiger act.)