Category Archive for Nightcrawling
LILAC, GURIGULA, UZUHI VISUAL KEI CONCERT, AMERICAN J-ROCK BANDS. J-SUMMIT AT NEW YORK WEBSTER HALL, J-POP MUSIC USA.
Confession. After seeing legendary Visual Kei bands in Tokyo — Versailles, Moi dix Mois, Gackt — I doubted that an American J-rock concert could send shivers up my spine. But I went to the J-Summit at NYC’s Webster Hall with what they call a “positive attitude,” and was pleasantly surprised at how much I enjoyed the live. (All photos by Shichi.)
I was expecting a full Visual Kei roster, but the first act was on the completely opposite spectrum. As in an Okinawa folk band in traditional costumes… hey, I still rocked out. The second group, Happy Fun Smile, was equally amusing: the lead singer belted hyper retro J-pop and forced the audience to dance in a circle. All together now: push-push, shovel-shovel!
Then Lilac took over and put on a classic feedback-blitzing rock show. Singer/guitarist Hitoshi lit up the room with his stage presence (and literally, too, with his glowing devil horns). Lilac has been together less than a year, yet the trio has found a tight, hard rock sound that Shichi compares to Vamps.
The head-banging continued with the US debut of Japanese VK group Gurigula. In his review, Shichi writes: “This band had a retro sound with a modern aesthetic. That distinctive early 90s Visual Kei sound was alive and well here. Perhaps evolved, and slightly more tuned to modern tastes but you could definitely hear roots in bands like Luna Sea and Die in Cries.”
We left before Uzuhi, but managed to catch the fashion show. Dorian Hellfire’s male J-rock clothes rocked and her teen models were too cute for words; I wanted to pack them in my bento box! I had a grand time at J-Summit, I truly did — and it seemed everyone around me did too.
I couldn’t agree more with Shichi’s sum-up: “People who don’t go to Japanese-American J-rock shows really are missing out […] It’s usually cheaper, and these groups really do care about the local scene and spend a great deal of time before and after sets interacting with fans. Some of these bands are really good too; I guarantee you won’t feel you’ve wasted your time and money if you went to say a Lilac or a [geist] or a Uzuhi show. I personally feel they are a lot better then some of the obscure Japanese bands the VK scene likes. If anything, these shows also end up being great social events. Support your scene! Come meet people!”
On that note, I’m always looking for new ways to open discussion and interact on this blog. What do you think of a new feature: daily musings and quotes? Below is the first installment; if it hits a nerve with you, please let me know your thoughts.
(PS: To comment, simply click on the Comments link on the bottom right of each post. You can comment as a Guest if you don’t want to sign up with Disqus. If you’re having trouble, shoot me an email or Tweet me.)
Musing of the Day #1: “Libertine” can be a positive word. Instead of “morally dissolute and depraved,” it can refer to someone who’s not bound by social morals, free to think and act for himself. Part of why I am drawn to the Gothic aesthetic/lifestyle is that it finds beauty in what’s feared: death, darkness. It turns norms on their heads; shows them to be paper tigers.
Song of the Day #243: Anything by Lilac at the NYC J-Summit! Here is a playlist of videos from the show.
SHARE & COMMENT
DANCES OF VICE STEAMPUNK HALLOWEEN! EDWARD GOREY VICTORIAN COSTUME PARTY, NEO-GOTH ROCOCO FASHION IN NEW YORK.
Announcing yet another Los Angeles book signing – this time for Crazy Wacky Theme Restaurants: Tokyo!
WHEN: Monday, November 30, 6:30-8:30pm
WHERE: Giant Robot LA gallery, 2062 Sawtelle Blvd, Los Angeles CA
Hope to see you there and at the November 28 and 29 signings at Kinokuniya LA.
Let’s now reminisce on the most important day of the year: October 31st, All Hallow’s Eve. My evening began with an aborted attempt to get into the Vice Magazine 1994-themed party in Brooklyn. I was with Elizabeth Wurtzel, author of bestselling memoir Prozac Nation who is featured in October’s issue of Vice. And get this: not even she could get in! The Vice party was an absolute disaster: there was no VIP list, the warehouse was over-capacity…
Onward, to the next Halloween bash — which turned out to be the best one in NYC that night. Dances of Vice is a celebrated gathering of neo-Victorian, steampunk and dark cabaret aesthetes. I saw Napoleonic military outfits and Marie Antoinette hats and knew that yes, this was the place to be!
Theme: Edward Gorey Dwindling Party. Dresscode: Neglected Murderesses, Doubtful Guests, Gashlycrumb Tinies, Hapless Children, Gilded Bats, Lonesome Mourners, Dancing Cats, Restless Widows. Don’t you love Dances of Vice already?
We rarely see men and women in hats these days (baseball and skullcaps do not count). What a treat to see top hats, bowlers, floppy brims, towers of fruit and a giant white parrot. The costumes were gloriously elaborate. Many of them took dedication to wear: such as the life-size curtain tassel who had to hold up his “head” all night long.
I found Kanae, who plays the “Party Girl #1” in our fabulous Japanese B-movie. We drooled over the steampunk and broken doll jewelry.
Doe Deere of Lime Crime Makeup looked lovely with teardrop eye makeup and a unique hair accessory: cones wrapped in faux braids. I’m wearing an Atelier Pierrot dress, cone hat from Village Paper, scrunchie and panda sticker from a Harajuku accessories store.
I ran into Kyshah Hell, my friend who interviewed me for a Morbid Outlook article. Love her veiled hat and Yohji Yamamoto dress.
Hooray for the decadent undead and… avantgarde conceptual ghoul mummies? (Pop quiz: can anyone name the Woody Allen movie that inspired the silver-headed character in the back? Answer is here.)
I made a beeline to this amazing Hello Kitty costume. Her Japan-style kawaii nails were done by a lady in Brooklyn.
The fashionable spooks weren’t the only attractions (distractions?) in the room. Decadent offerings included hand-drawn Gorey portraits of guests, crime scenes interpreted through dance, a theramin performer and 24-piece chamber rock orchestra…
From body painting to Day of the Dead makeup, there was so much inspiration in one room. Thank you to Shien Lee for inviting me — I couldn’t have spent my Halloween in a better way!
New Yorkers: you’ve got to get on board the next Dances of Vice! “The Grand Shipwreck Ball” is setting sail on November 20-22. Hurry — there are only two days left to get tickets for “the most extravagant and fanciful gathering of castaways, sailors, glittering mermaids, sea sirens, pirates, romantic sea captains and scalawags ever known to New York.” Find out the scoop on Dances of Vice’s website and Facebook.
Song of the Day #240: Dresden Dolls & The Ambitious Orchestra – One (Live) (The orchestra — especially the frontman — played an incredible set on Halloween.)